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innovative poetry
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Selected Text Art 2010-2020
Bruno Neiva
Bruno Neiva is a Portuguese text artist, poet, translator, and teacher.
Author of: Table of Contents I, Onstage, Binder Clip Series, Threshold Drafts, The Museum of Boughs.
Co-author of: Walking Board (w/ Bárbara Mesquita), Ballroom Etiquette (w/ Maria Brito), Undertones (w/ Chris Turnbull), The Secret of Good Posture (w/ Paul Hawkins), Servant Drone (w/ Paul Hawkins).
Some of his work has appeared in a number of magazines and anthologies.
Teaches experimental writing at the Faculty of Arts of the University of Porto:
http://laboratoriopraticastextuaisexperimentais.weebly.com
Contributes regularly to the PO.EX - Digital Archive of Portuguese Experimental Poetry.
https://po-ex.net/tag/bruno-neiva
Website: https://brunoneiva.weebly.com
Bruno Neiva
Bruno Neiva is a Portuguese text artist, poet, translator, and teacher.
Author of: Table of Contents I, Onstage, Binder Clip Series, Threshold Drafts, The Museum of Boughs.
Co-author of: Walking Board (w/ Bárbara Mesquita), Ballroom Etiquette (w/ Maria Brito), Undertones (w/ Chris Turnbull), The Secret of Good Posture (w/ Paul Hawkins), Servant Drone (w/ Paul Hawkins).
Some of his work has appeared in a number of magazines and anthologies.
Teaches experimental writing at the Faculty of Arts of the University of Porto:
http://laboratoriopraticastextuaisexperimentais.weebly.com
Contributes regularly to the PO.EX - Digital Archive of Portuguese Experimental Poetry.
https://po-ex.net/tag/bruno-neiva
Website: https://brunoneiva.weebly.com
“We might think of Bruno Neiva as a sort of double agent, operating in the shadowy borderlands of art and writing, reading the stars, swerving the searchlights, playing both sides but ultimately belonging to neither, making his own way, plotting his own course. It’s getting on for a decade since I irst encountered Neiva and over that time he’s emerged as a deft, distinctive practitioner, an oblique visionary, weaving found and new material into a glitching, shimmering post-digital tapestry. If you’re unfamiliar with Neiva’s work, Selected Text Art 2010-2020 is an excellent primer, show- casing the breadth of his output . . .”
- Tom Jenks
HESTERGLOCK PRESS
Est. circa 2012
Editors: ︎︎︎Paul Hawkins & ︎︎︎Sarer Scotthorne
Art & design: Bob Modem
Forthcoming
Miggy Angel MY CULTURE IS FLOWERS
Lydia Hounat NOTES OF A MONGREL’S DNA
ALSDORF (ed. Stephen Sunderland)
Iris Colomb RIDICULOUS UNLIKELY ATTEMPT
SJ Fowler THE TINY TEARS OF TECHNOLOGY
Jules Sprake SHRINK A CRISP PACKET
Lucy Furlong CLEW
Miggy Angel MY CULTURE IS FLOWERS
Lydia Hounat NOTES OF A MONGREL’S DNA
ALSDORF (ed. Stephen Sunderland)
Iris Colomb RIDICULOUS UNLIKELY ATTEMPT
SJ Fowler THE TINY TEARS OF TECHNOLOGY
Jules Sprake SHRINK A CRISP PACKET
Lucy Furlong CLEW
Latest
Martin Wakefield POEMS YOU CAN’T COLOUR IN
Ben Carr & Michael Hinchcliffe DREICH AIR
Tim Gaze CASCADE
Martin Wakefield POEMS YOU CAN’T COLOUR IN
Ben Carr & Michael Hinchcliffe DREICH AIR
Julia Rose Lewis & Paul Hawkins POSTCARDS FROM MENTAL STATES
Patrick Cosgrove BIROS 2Tim Gaze CASCADE