CURRENT EXHIBITIONS
June - Nov 2022
POSTCARDS FOR PEREC
group exhibition curated by Linda Parr at Cardiff University Special Collections & Archives
Nov 18 - Jan 14, 2023
POSTCARDS FOR PEREC
group exhibition curated by Linda Parr at University of Puget Sound, Tacoma, WA USA
more info here
PHOTO POETRY SURFACES
June 2021 - ongoing
online group exhibition part of the Bristol Photo Festival 2021 view HERE
POSTCARDS FOR PEREC
group exhibition curated by Linda Parr at Cardiff University Special Collections & Archives
Nov 18 - Jan 14, 2023
POSTCARDS FOR PEREC
group exhibition curated by Linda Parr at University of Puget Sound, Tacoma, WA USA
more info here
PHOTO POETRY SURFACES
June 2021 - ongoing
online group exhibition part of the Bristol Photo Festival 2021 view HERE
links to stuff of a Paul Hawkins/Bob Modem nature:
Projects & Collaborations
Eachwhat Studio events
Paul Hawkins
Visual Poetry
Audio Works
Performances
Exhibitions
Online Work
Printed Matter
I’m a recovering poet. I learn’t how to drink lying down and sleep standing up with nearly disastrous consequences. I work mainly in poetry, visual art, performance & publishing, co-running Hesterglock Press with Sarer Scotthorne. I run poetry & Poem Brut workshops. I’m part of the Poem Brut movement as an artist, poet, performer, workshop-facilitator, curator & publisher.
Some things people have said . . .
'”Fire sermons and authentic retrievals for a battleground on the edge of the liminal, delivered with spirit and spite and sting. True witness”
“Go Sift Omen sorts God’s Gift to Women through a sieve. Hawkins sifts each poem through a strainer, and like seashells ground to grains of sand, finds new sensations. New fires and phrases alight the pages with the glint of pirate treasure exposed by the surf”
“EACHWHAT is a lively collection of whats that each. ‘To each’ is a verb that refers to an act that distinguishes this from many thats”
“Despite its asemic and arhythmic visuality, these pages bang semantic bin lids on quasi-utopian semiotic pavements with titles like ‘be a potential parasite in the clean capitalist body’ and ’official secrecy is the occult reality’ and ‘their happy threats rust’. Hear here”
“If you want to know what this book is like, try staying up for 48 hours straight then taking a dawn ride in an unlicensed minicab with a can of Red Bull and The Faust Tapes on repeat. Better still, just read it”
“energetic, decisive, colloquial and necessary. It is a work of synthesis between two exceptional vanguard poets that balances satire, critique and humour with an intense methodological engagement"
“Oulipian divination meets Metro cut-up. The Crash crash-edited into resistance rhythms, cash-in-hand concrete typography, mapping the run-off’s from Claremont Road to Cameron, then cleaned out with half a brick”
'”Picture Sesame Street as reimagined by Guy Debord and the set designers for Apocalypse Now”
Some things people have said . . .
'”Fire sermons and authentic retrievals for a battleground on the edge of the liminal, delivered with spirit and spite and sting. True witness”
“Go Sift Omen sorts God’s Gift to Women through a sieve. Hawkins sifts each poem through a strainer, and like seashells ground to grains of sand, finds new sensations. New fires and phrases alight the pages with the glint of pirate treasure exposed by the surf”
“EACHWHAT is a lively collection of whats that each. ‘To each’ is a verb that refers to an act that distinguishes this from many thats”
“Despite its asemic and arhythmic visuality, these pages bang semantic bin lids on quasi-utopian semiotic pavements with titles like ‘be a potential parasite in the clean capitalist body’ and ’official secrecy is the occult reality’ and ‘their happy threats rust’. Hear here”
“If you want to know what this book is like, try staying up for 48 hours straight then taking a dawn ride in an unlicensed minicab with a can of Red Bull and The Faust Tapes on repeat. Better still, just read it”
“energetic, decisive, colloquial and necessary. It is a work of synthesis between two exceptional vanguard poets that balances satire, critique and humour with an intense methodological engagement"
“Oulipian divination meets Metro cut-up. The Crash crash-edited into resistance rhythms, cash-in-hand concrete typography, mapping the run-off’s from Claremont Road to Cameron, then cleaned out with half a brick”
'”Picture Sesame Street as reimagined by Guy Debord and the set designers for Apocalypse Now”
Eachwhat Studio, Broadwalk Centre, Bristol BS4 2QU